In 2011 Skyrim swept through and captured the hearts of millions of gamers across the globe, earning near-perfect marks from almost every major critic in the industry. Yet the most telling exclamation of the game’s success is its instant engraving in the sub-culture of geekdom at large. Evidence of which also exists in the musical score of the game itself.
These past few months I’ve been treated to many videos of Lindsey Stirling and her almost hypnotic capability to engage our interest in an instrument largely forgotten amongst subcultures enthralled with traditional Rock and Roll formulas. Her talent with the violin is incredible, but her charm is the quality that elevates the experience as a whole. Combining her music with creative dance moves she exudes a level of cheerful awe and wonder. Quite often her videos take us to fantastic outdoor vistas; from ice castles to forested hillsides. All the while she ups the ante with playful costuming, once including herself in a Link outfit while playing away the theme to Zelda.
Peter Hollens career grew career grew out of the a capella scene, and the mastery he wields over the talents of his voice are evidenced in this latest work. He deepens the Skyrim experience through use of his voice as more instrument than lyrical expression, and elevates our immersion in the game’s thematic sound.
Together these two artists provide a rich audible and visual treat through their musical talents combined with choreography set against a landscape of snow capped hills and stone castles.
